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Manufacturer's warranty: 2 years
Free delivery from €99
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The KH 120 A is the result of the most recent acoustic and electronic simulation technologies, ensuring the most accurate sound reproduction possible.
It is equipped with a MMDTM-type wave guide (Mathematically Modeled DispersionTM), high flexibility acoustic compensation settings, analogue amplifiers working in Class AB, offers various input formats and a complete range of attachment and mounting accessories. All this ensures the user with maximum flexibility of use, regardless of the acoustic conditions of use, the source devices and the physical locations of the monitors.
The KH 120 is perfect in recording, mixing and mastering, for all musical applications, broadcast, project studio and post-production
- Free field frequency response: 52 Hz to 21 kHz, ± 3 dB
- Frequency response in open field, channel pass: 54 Hz to 20 kHz, ± 2 dB
- Noise level generated by the monitor (input line set in position 100 dB SPL for 0 dBu): <20 dB(A) to 10 cm
- Sound pressure level, on sinusoidal signal, increased to 1 m, for THD < 0.5%: 95 dB SPL (≥100 Hz)
- Maximum sound pressure level, half-space, for 3% THD / medium between: 111.1 dB SPL / 100 Hz and 6 kHz
- Boomer amplifier, continuous output (crest)* : 50 W (80 W)
- tweeter amplifier, continuous output shots (peak)*: 50 W (80 W)
- Type of crossover: Analogue, active
- Cutting frequency: 2.0 kHz
- Filtering slot (dB/oct.): 24, 4th order
- Equalization - Bass: 0, -2.5, -5, -7.5 dB
- Equalization - Mid: 0, -1.5, -3, -4.5 dB
- Equalization - High: +1, 0, -1, -2 dB
- Protective circuits: Limiters: severe, acute
- Subsonic filter: cut frequency and slope: 30 Hz; 6 dB/oct.
- Analogue input Impedance (electronic symmetry input): XLR, ♣10 kΩ
- Input gain adjustment (sensitivity): 0 dBu to -15 dBu
- Output level selector: 94, 100, 108, 114 dB SPL
- Common mode rejection rate (CMRR): ♣56 dB @ 15 kHz
- Displays and indicators - Power On : Neumann logo “white”
- Displays & Indicators - Limiter/secret : Neumann logo “red”
- Power supply sector, voltage; frequency: 100-240 V~; 50/60 Hz
- Tension sector Consumption – standby: 20 W
- Tension sector Consumption – nominal power: 200 W
- Finish surface box (personalized color): painted aluminium, Anthracite (RAL 7021)
- Conditions of use : +10° C to +40° C, rate of hyper. rel. < 90%, without condensation
- Conditions of transport/storage: -25° C to +70° C, rate of hyper. rel. < 90%, without condensation
- Transducers: Magnetic cover
- Boomer: 130 mm
- Tweeter: 25 mm
- Fastening points: 2 x M8 threads on the rear panel
- Dimensions (LxHxP): 277 x 182 x 220 mm
- Internal/external net volume: 6.5 litres / 9.7 litres
- Weight: 6.2 kg
Je viens de les recevoir, jai pu les tester deja un peu avec des machines (Luve) et en ecoute mastering, le studio n’est pas encore traité mais les enceintes sortent une qualité vraiment top. J’avais des presonus Eris e8, j’ai voulu upgrade ma paure avec quelques choses de + precis, et le rendu dans les basses est vraiment cool, basses rondes et claires, les aigus et midums sont agreables, faut pas se fier a leur petit taille parce qu’elles frappent vraiment bien pour leur taille. Hate de voir une fois mon studio traité pour ces enceintes. La fabrication est d’aspect très solide ! Un peu decu de n’avoir qu’un xlr en branchement arrière mais cest pas si problematique. Les reglages arrières de l’enceinte sont utiles et plutot bien, je regrette de ne pas avoir un bouton coupe-bas 60/80/100hz comme sur mes presonus. Cela dit, pour le moment cela ne me pose pas de problèmes :) A voir quand elles seront rodées etc, mais pour le moment j’en suis satisfait et heureusement surpris.
Enceinte de monitoring 2 voies bass-reflex 5 pouces, puissance 100W, technologie Firphase
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