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Manufacturer's warranty: 2 years
Free delivery from €99
Easy payment: satisfied or refunded
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Sublimate your vocal performance
The OC707 condensing microphone provides professional sound quality on stage as in the studio. Capture every detail, every nuance of your performance to satisfy your audience.
Designed to capture the most subtle dynamics and elements of the human voice with great fidelity, the OC707 blocks unwanted manipulation noises from the capture, while retaining the depth of your voice to give it a great presence through the mix
The exclusive Open Acoustics technology of Austrian Audio allows the sound to enter the capsule almost completely unhindered from all sides. The contact points between the mounted capsule and the housing are minimized. In addition, the reduction of surfaces reflecting the sound near the capsule ensures a sound reproduction with the least resonance possible.
Features and features:
Condenser singing microphone
Capsule OCC7 inpirée of the famous CK1
Directivity : cardioid
Switchable bottom filter: 120 Hz
Robust and elegant design
For vocal performances on stage or in studio
Requires a ghost power supply +48V
Sensitivity: 10 mV/Pa
Pressure max. eligible: 150 dB SPL
Frequency response: 25 Hz - 20 kHz
Equivalent noise level: 19 dB SPL (A)
Impedance: 275 Ohms
Load impedance: ✱ 1000 Ohms
Connector : XLR 3 pins
Supplied with its clamp in its carrying case
Dimensions (W x H x P): 322 x 550 x 490 mm
Weight (kg): 19.3
Product |
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Availability |
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Price |
€415.00
(1 review)
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€418.00
€333.00
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€410.00
€305.00
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Description |
Static vocal microphone with Open Acoustics technology, delivered with its clip in its carrying case
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Instrument condenser microphone with tilting head for a rotation of up to 220°
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Directivity |
Supercardioid | ||
Output Impedance |
290 Ohm | ||
Weight |
275 g | ||
Frequency response |
50 Hz - 16 kHz | ||
Sensitivity |
-51 dBV/Pa (2.8 mV) | ||
Capsule Type |
Dynamic | ||
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Excellentn sur les voix, chantées ou parlées, capte à merveille les détails, le switch coupe bas permet de se débarrasser de l'effet de proximité. il capte sur une zone très restreinte, donc particulièrement adapté dans un environnement bruyant (chanteur/batteur, scène en général et pièce non spécialement adaptée à l'enregistrement). A essayer !